Apogee Thunderbolt/ProToolsHDX +Dante w/2 X 16X16 Line

Description

Apogee Thunderbolt/ProToolsHDX +Dante w/2 X 16X16 Line.

With theApogee Symphony I/O Mk IIwith Dante/Pro Tools HD option card and a simple Ethernet cable, Symphony I/O Mk II can be easily connected and shared across post production, broadcast, live sound or recording studio networks, unleashing legendary sound quality on the worlds most popular audio-over-IP solution. The Symphony I/O Mk II Dante option card also includes Pro Tools connectivity for integration of Pro Tools | HD systems into a Dante network environment. No other Dante-enabled audio interface offers this level of quality, flexibility and modularity.

The Symphony I/O Mk II Dante option card uses Audinates Brooklyn II module which features plug-and-play media networking for up to 32 bidirectional channels at 96 kHz and 16 bidirectional channels up to 192 kHz. The system can be configured with a number of custom options ranging from 8-32 analog I/O channels. Symphony I/O MK II Dante allows up to 32 channels with Pro Tools and redundant Dante connectivity to be fitted into a single two space rack device providing the smallest footprint available with this feature set.

If Pro Tools is part of your network environment, Symphony I/O Mk IIs Pro Tools | HD peripheral port lets you route audio between your Pro Tools session, the Dante network and Symphony I/O Mk II modules, no need for an additional, stand-alone box.

This configuration includes one 2×6 SE Module and one 16×16 SE Analog Module.

Apogee Symphony I/O Mk II 26 Special Edition offers the highest quality AD/DA conversion of the Symphony series. Designed specifically for mastering engineers whose critical work demands ultimate sonic performance, 26 SE takes advantage of the latest advancements in digital and analog audio technology to offer inputs with 124 dB (A) of dynamic range, THD+N of -116 dB and outputs with 131 dB (A) dynamic range and an astonishingly low THD+N of -118 dB.

INPUTS:

• Analog IN: 2 balanced inputs on 2 female XLR connectors
• AES IN: Stereo input on 1 female XLR connector
• Optical IN: Supports ADAT (8 channels 44.1 – 48 kHz), SMUX 8 channels 88.2 – 96 kHz), and S/PDIF (2 channels up to 96 kHz)
• Coax IN: 2 channels of S/PDIF up to 192 kHz

OUTPUTS:

• Analog OUT: 6 balanced outputs on 1 DSUB 25-pin connector
• AES OUT: Stereo output on 1 male XLR connector
• Optical OUT: Supports ADAT (8 channels 44.1 – 48 kHz), SMUX 8 channels 88.2 – 96 kHz), and S/PDIF (2 channels up to 96 kHz)
• Coax OUT: 2 channels of S/PDIF up to 192 kHz

Dig I/O hardware switch selects AES or Optical digital I/O format.

16X16 SE ANALOG MODULE

Offering the ultimate sonic performance for Dolby Atmos and other Immersive audio applications, 1616 SE takes advantage of the latest advancements in digital and analog audio technology to offer A/D inputs with 124 dB (A) of dynamic range and a THD+N of -115 dB, plus D/A outputs with 128 dB (A) of dynamic range and an astonishingly low THD+N of -119 dB.

INPUTS:

• Analog IN: 16 balanced inputs on 2 DSUB 25-pin connectors
• Coax IN: S/PDIF on 1 RCA connector

OUTPUTS:

• Analog OUT: 16 balanced outputs on 2 DSUB 25-pin connectors
• Coax OUT: Supports SPDIF on 1 RCA connector